Mary is content with her life as wife to Gabriel Thorne, a wealthy merchant in Elizabethan London. She loves her husband and her family, is a kind mistress to the household and is well-respected in the neighbourhood. She does her best to forget that as a small girl she was cursed for causing the death of a vagrant child, a curse that predicts that she will hang. She tells herself that she is safe.
But Mary’s whole life is based on a lie. She is not the woman her husband believes her to be, and when one rainy day she ventures to Cheapside, the past catches up with her and sets her on a path that leads her to the gibbet and the fulfilment of the curse.
About the Book
The Cursed Wife is somewhat of a departure for Pamela Hartshorne as she is more well-known for her time-slip novels, however this novel is set solely in the Elizabethan period with flashbacks to Mary and Catherine’s respective childhoods. Unfortunately, I can’t say I enjoyed this novel and it is my least favourite of Hartshorne’s novels to date.
The main problem I had with the novel was the narrative style as the story is split between both women and while each gives her own perspective of the same events it means there’s a lot of repetition. While Mary’s narrative is fairly straightforward, Catherine’s chapters are told as if she is addressing Mary directly and her manipulative character is revealed from the start. Catherine has no redeeming qualities whatsoever and having her reveal her true intent in this way, just makes Mary seem really naive. Mary is an intelligent woman who is quite perceptive about the people around her, yet she is completely blind to Catherine’s motives until it is far too late. As such, the reader is left in the frustrating situation of watching Catherine destroy Mary’s life while the latter remains oblivious.
I couldn’t muster any sympathy for Mary either as she is far too passive throughout much of the novel and she is also obsessed with the idea she is cursed. The title of the novel stems from an incident in Mary’s childhood when she pushes a child trying to steal her doll and inadvertently causes her death. The child’s mother curses Mary to an unhappy life which will eventually lead to her being hanged one day, and Mary has let the curse rule her life to the extent it causes her to act in certain ways, thereby fulfilling much of the prophecy.
When the story finally meanders towards the end, it all becomes very predictable and disappointing because I was waiting for a twist which would confound my expectations but it failed to materialise. The promised psychological aspects also fall flat as it would’ve been much more fun if the two women had been engaged in an intriguing battle of wills with Mary trying to foil Catherine’s actions while also ensuring her secret was not revealed.
ABOUT THE AUTHOR
Pamela Hartshorne started writing romance in order to fund a PhD in Medieval Studies. Naturally, that didn’t turn out to be quite the easy option she thought it would be, but she did in the end complete a thesis on the street and the perception of public space in later medieval and early modern York in 2004. Her research formed the basis of TIME’S ECHO, and many of the individuals she encountered in the records of Elizabethan York appear in the novel.