Cornwall, 1812: At Nampara, the Poldark family finds the new year brings involvement in more than one unexpected venture. For Ross and Demelza there is some surprising – and worrying – news. And Clowance, newly returned from her London triumphs, finds that her entanglement with Stephen Carrington brings not only happiness but heartache.
As the armies battle in Spain, and the political situation at home becomes more obscure daily, the Poldark and Warleggan families find themselves thrust into a turbulent new era as complex and changing as the patterns of The Miller’s Dance…
About the Book
The Miller’s Dance is the ninth book in The Poldark Saga following the adventures of the Poldark family and their neighbours in Cornwall, however not much happens and it is spoiled somewhat by the lack of interesting characters.
Much of the attention is on Stephen Carrington and his blossoming relationship with Clowance, however he is no romantic brooding hero. Graham is still keeping us in the dark about Stephen’s secrets but his true colours are definitely beginning to show since we are privy to the characters innermost thoughts to ensure there can be no mistake. As Stephen is whispering sweet nothings into Clowance’s ear, he is actually thinking more about what lies beneath her dress and exactly what he’d like to do to her. I actually don’t like this form of storytelling, and while Graham has done this throughout the series, he seems to be relying on it rather too much in the later books. Stephen’s true motives should be obvious from his actions, and there should be no need for the author to clarify anything. While there is nothing wrong in desiring your future wife, his whole manner is disrespectful and his thoughts are highly unsavoury. Yet, this is also the same man who behaves so tenderly towards a dying young woman and sleeps with her (at her request) so she can experience sex before she dies.
As for Jeremy, his fascination with steam is very repetitive and while the installation of the new engine at the mine is an important plot point, the endless descriptions of it are not and had me skipping passages. Graham also introduces Richard Trevithick, a real life Cornish engineer, to dampen Jeremy’s enthusiasm for his steam powered carriage which Trevithick claims will need an engine no one is yet capable of inventing. Jeremy’s lack of success at the mine, coupled with his heartache over Cuby, leads him into doing something I feel is entirely out of character.
Elsewhere, Ross and Demelza are somewhat pushed into the background as their children make some big decisions about their lives, however they are more preoccupied with an unexpected pregnancy which puts a lot of strain on Demelza’s health. The relationship between Ross and Demelza is very tender in this novel and quite humorous at times, but it is laced with anxiety as Ross fears for Demelza’s wellbeing. On more than once occasion, Ross alludes to how Elizabeth died in childbirth, worrying the same thing will happen to Demelza, however he is still unaware of the potion Elizabeth took and Dwight Enys continues to keep her secret.
Although not much seemed to happen in this book, I get the feeling things are slowly building plot wise and several characters are on a collision course to disaster.
ABOUT THE AUTHOR
Winston Graham was the author of forty novels. His books have been widely translated and the Poldark series has been developed into two television series, shown in 22 countries. Six of Winston Graham’s books have been filmed for the big screen, the most notable being Marnie, directed by Alfred Hitchcock. Winston Graham was a Fellow of the Royal Society of Literature (FRSL) and in 1983 was invested an Officer of the Order of the British Empire (OBE).