Ceylon, 1935. Louisa Reeve, the daughter of a successful British gem trader, and her husband Elliot, a charming, thrill-seeking businessman, seem like the couple who have it all. Except what they long for more than anything: a child.
While Louisa struggles with miscarriages, Elliot is increasingly absent, spending much of his time at a nearby cinnamon plantation, overlooking the Indian ocean. After his sudden death, Louisa is left alone to solve the mystery he left behind.
Revisiting the plantation at Cinnamon Hills, she finds herself unexpectedly drawn towards the owner Leo, a rugged outdoors man with a chequered past. The plantation casts a spell, but all is not as it seems. And when Elliot’s shocking betrayal is revealed, Louisa has only Leo to turn to…
About the Book
The Sapphire Widow is set in Ceylon in the 1930s which is familiar territory for Jefferies since it was also her setting for her novel The Tea Planter’s Wife and a few of the characters from that book appear here as Louisa befriends Gwen Hooper. Of course, the danger of having two books in the same setting is repetition but Jefferies manages to avoid that trap by moving away from tea to incorporate other businesses in the country. Since Louisa is the daughter and wife of gem merchants, I was expecting more focus on the gem trade but the book is more concerned with the cinnamon industry.
As usual, Jefferies does an excellent job of bringing the place to life with its lush vegetation, humid heat and diverse smells. Since cinnamon is one of my favourite spices, it was interesting to hear how it was cultivated and the descriptions are so vivid, you could almost smell it the air. We don’t get a lot of information on Elliot’s cinnamon business other than it is doing so well there’s a real need for expansion, so it’s lucky Louisa has just met Leo who runs his own planation. While I love the historical settings of Jefferies books, they are let down by their predictability and the “isn’t that convenient” moments. When Louisa visits Cinnamon Hills for the first time, you know exactly what she is going to discover before she’s even gotten out of the car.
While Louisa is a likeable character, it’s hard to believe someone as intelligent as she is would be so blind to her husband’s nefarious activities and she deludes herself into thinking the problems in her marriage are down to her inability to give her husband a child. Elliot’s death shocks her into realising she misjudged his character badly and that her father was right about him all along. Louisa did genuinely love her husband so her grief is palpable to begin with, however as she learns more about what Elliot has been doing, she gets increasingly angry at him until the love is almost gone. It’s an important progression since Louisa becomes increasingly attracted to Leo over a short space of time and we need to understand why she can move on so quickly.
Since there is so much going on elsewhere, the emporium is shoved into the background somewhat and it only comes to the forefront when convenient. The threats Louisa is subjected to are forgotten about for large chunks of the book and it is only when she brings Conor to stay with her that you know something big is about to happen. The worst part for me was when it was all resolved “off page” because it makes you feel like you just got cheated out of the denouement.
ABOUT THE AUTHOR
Dinah Jefferies was born in Malaysia but moved to the UK at the age of nine, going on to study fashion design, work in Tuscany as an au pair for an Italian countess, and live with a rock band in a commune in Suffolk.
A family tragedy changed everything, and she drew on the experience of loss in her writing, infusing love, loss, and danger with the seductive escapism of my locations. The sense of place, of history and of human nature is a heady mix in the novels.