About the Book
Feyra, a young woman who applies her skills as a doctor in the harem of the Sultan, is shocked when she learns the Sultan’s mother is not only a Venetian woman but also her mother. As the dowager Sultana lies on her deathbed, Feyra also learns the Sultan has an evil plan to send a plague infected ship to Venice with her father as captain. Appalled, Feyra stows on board, determined to escape the clutches of her half-brother, as well as stopping the ship from reaching its destination.
As the plague spreads, the Doge employs a brilliant doctor, Annibale Cason, to ensure Palladio doesn’t succumb before the church is finished. However, Feyra’s presence in Palladio’s house is discovered and to ensure her safety, Annibale is persuaded to take her to the island he is using as a plague hospital. Annibale is intrigued by Feyra’s medical knowledge, even though their methods often clash, but it isn’t long before they develop romantic feelings.
The Venetian Contract is my third Marina Fiorato book and is possibly my favourite to date. Set in sixteenth century Venice and Constantinople, the story weaves a magical tale of east meets west, and I loved the contrasts between the Christian and Muslim worlds. Initially, I was surprised at the idea of a Muslim woman being a doctor, but it soon became obvious that Muslim women had far more freedom in the Ottoman empire than their present day equivalents. It is Feyra who is a little shocked at how backwards the Venetian women appear in contrast with their lack of education. I was little sorry we didn’t spend more time in Constantinople but that is a world I’m hoping to explore further in other books.
The medical knowledge of Annibale and his colleagues is presented very well and it is obvious Fiorato has done a lot of research into the various treatments used to cure those with plague. Most of the methods seem very archaic but allowances have to be made for the time period when religious superstition was predominant, and Annibale has to wear the mask of the plague doctor which is creepy enough to scare anyone to death. Feyra’s methods seem very modern in contrast, especially variolation, an early form of inoculation that was actively being used in the east.
Although I love the historical elements of Fiorato’s novels, I always feel her characters are a little overwhelmed by the spectacular settings and don’t really come to life. This time, Feyra felt far more real to me but her romance with Annibale is a very muted affair and never really alights. While Annibale is given his own point of view throughout most of the novel, I felt he disappeared somewhat towards the end as Freya dominated the story line.
about the author
Marina Fiorato is half-Venetian. She was born in Manchester and raised in the Yorkshire Dales. She is a history graduate of Oxford University and the University of Venice, where she specialized in the study of Shakespeare’s plays as an historical source. She was married on the Grand Canal and lives in North London with her husband, son and daughter.